Art Exhibitions

Feb 22-25 2018
Artist Project is proud to support the work of 15 artists this year working in large-scale sculpture, conceptual art, performances and installations in the Installation Zone. Selected by a panel of judges, this feature exhibition aims to explore new ways in which large-scale sculpture and conceptual art expand and transform traditional spaces into experiential forms. See art come to life and explore the fair like never before.
Mar 08 - May 27 2018
Spanning over five decades, Yayoi Kusama: Infinity Mirrors focuses on the evolution of the Japanese artist’s immersive, multi-reflective infinity mirror rooms. The exhibition provides visitors with the unique opportunity to experience six of Kusama’s most iconic kaleidoscopic environments at once, alongside large-scale, whimsical installations of over 60 key paintings, sculptures and works on paper from the early 1950s to the present. It also marks the North American debut of numerous new works by the 88-year-old artist, who is still actively creating in her Tokyo studio. These include large-scale, vibrantly coloured paintings and the recently realized infinity room, All the Eternal Love I have for Pumpkins (2016), featuring dozens of her signature bright yellow, dotted pumpkins.
from Nov 22 2017 to Feb 25 2018
Every quilt tells a story. This exhibition shares stories and traditions from the age old practice of quilt making. Quilting exists almost everywhere on the globe, each country, region, culture has its own quilting styles, traditions and techniques that have evolved from varied histories connected with storytelling from generation to generation. The Museums of Mississauga will be showcasing their Canadian Heritage Quilt Collection alongside quilts shared from residents, private and institutional collections and artists.
from Dec 24 2017 to Feb 25 2018
From the striking indigo and white geometric forms of a Chilean Mapuche chief’s poncho to the delicate zigzag designs of a Bolivian Aymara weaving, Tied, Dyed and Woven presents the conceptual and technical mastery of ikat dyers and weavers from six Latin American countries over the last 100 years. Their distinctive designs and methods offer historical clues into the innovative processes underlying the development of ikat practices, and attest to the significance of this resist-dye technique in the continuum of textile traditions.
from Nov 22 2017 to Feb 25 2018
Every quilt tells a story. This exhibition shares stories and traditions from the age old practice of quilt making. Quilting exists almost everywhere on the globe, each country, region, culture has its own quilting styles, traditions and techniques that have evolved from varied histories connected with storytelling from generation to generation. The Museums of Mississauga will be showcasing their Canadian Heritage Quilt Collection alongside quilts shared from residents, private and institutional collections and artists.
Feb 10 - Mar 03 2018
Join Anishinaabekwe beading artist Stephanie Pangowish for a three-part workshop as she guides you through the steps to make your own beautiful earrings using Indigenous beading techniques.
from Dec 10 2017 to Mar 18 2018
J.E.H. MacDonald once noted that Lawren Harris was compelled to sing a tune when he sat nearby the natural rhythms of water to paint en plein air.During the summer of 2017 – Canada’s 150th year – the McMichael Canadian Art Collection will become a place to wander, celebrate and delight in acoustic space.
Jan 27 - May 13 2018
The Power Plant presents Kader Attia's first solo exhibition in Canada. CURATOR: CAROLIN KÖCHLING ASSISTANT CURATOR: NABILA ABDEL NABI “Our contemporary world is haunted by the wounds of the past” (Kader Attia)
Jan 27 - May 13 2018
Through his audio installations Emeka Ogboh explores how private, public, and collective memories and histories are translated, transformed and encoded into sound and sonority. These works contemplate how sound captures existential relationships, frames our understanding of the world, and provides a context in which to ask critical questions around immigration, globalization and post colonialism.
Feb 07 - May 13 2018
Artistry in Silk celebrates the work of Itchiku Kubota (1917–2003), an innovative artist whose spectacular creations gave new meaning to the art of kimono. He brought new life to a 16th -century decorative technique known as tsujigahana, a combination of resist-dyeing techniques and ink-drawing that was once thought lost forever. In his subsequent production of sumptuously beautiful kimono that featured “Itchiku tsujigahana,” the artist’s adaptation of this art form expanded contemporary ideas of surface design and assured Kubota a legacy as an out-of-the-ordinary artist and artisan whose work stimulated the mind and delighted the eye.
from Nov 02 2017 to May 13 2018
Landy invites the public to collaborate in building a ‘wall of protest’ by submitting images, words, texts and slogans that represent their thoughts and feelings—of hope or of despair, on matters small or large, from high to low and across the cultural spectrum—to be transformed by the artist into drawings.
May 14-20 2018
For the third year running, Paprika Festival is partnering with Native Earth to present a week-long festival of work entirely created by young artists. Following a year of professional theatre training and mentorship programs, this youth-led professional performing arts organization will showcase creations from the next generation for one full week in Aki Studio. With the support of Native Earth, Paprika Festival will also offer a new program dedicated to supporting and presenting the work of young Indigenous artists. Paprika programs are free of cost for participants and offer exceptional training in playwriting, performing, directing, producing, collective creation, design, and arts administration.
Feb 22 - Jun 03 2018
The Gardiner Museum is pleased to present a three-part installation by Yoko Ono entitled THE RIVERBED. Yoko Ono is a forerunner of Conceptual art who frequently involves collaboration, audience participation, and social activism in her artwork.
Jun 02 - Sep 16 2018
J.E.H MacDonald: Up Close will celebrate the art and science of J.E.H. MacDonald’s artistic practice through an examination of his works from the McMichael collection. McMichael Conservator, Alison Douglas, will share the research results from a Canadian Conservation Institute study that created a base line for ‘what makes a MacDonald painting?’ Complete with microscopic photographs, the materials and methods of the artist will be explored in depth, especially in relation to the artist’s fondness for small studies.
from Dec 10 2017 to Nov 18 2018
Ian Dejardin, Executive Director of the McMichael Canadian Art Collection, is delving deep into the gallery’s vaults to make a very personal selection of works of art for his first curated show since taking the reins of the gallery. Dejardin promises many classic favourites, but also some that have been rarely seen, and some that might surprise even an audience familiar with Canadian art. This exhibition will showcase the beauty, diversity, and artistry of the art of Canada.
from Oct 04 2018 to Jan 13 2019
This exhibition will document an artistic career that spanned the first half of the 20th century, bringing together more than 90 works in oil and watercolour, never-before-exhibited photographs and drawings by the artist, and memorabilia collected by Milne during his time in Europe as an official war artist.
from Nov 10 2018 to Feb 18 2019
Consciously coinciding with the David Milne exhibition and the centenary of the armistice, this exhibition will focus on surveying Stephen Andrews’ works that deal with images of war, prisoners of war, and the way in which we experience such imagery through the media. Andrews’ works, which are largely pencil crayon on paper, subtly interpret the omissions and misinterpretations of war imagery. A large component of the exhibition will feature the artist’s work from about 2003 through 2006, which deal primarily with the Iraq War. Another component of the show will display his most recent work, which grapples with Vimy Ridge. Just like Milne, Andrews’ war imagery focuses on the aftermath. Not incidentally, Andrews has been a long-time admirer of the work of David Milne.